Read Batman (2011-2016) Vol. 5: Zero Year – Dark City (Batman Graphic Novel) By Scott Snyder
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Ebook About Before the Batcave and Robin, the Joker and the Batmobile ... there was ZERO YEAR.The Riddler has plunged Gotham City into darkness. How will a young Dark Knight bring his beloved hometown from the brink of chaos and madness and back into the light? From the critically acclaimed, New York Times #1 best-selling creative team of Scott Snyder and Greg Capullo, BATMAN VOL. 5: ZERO YEAR--DARK CITY is the concluding volume to Batman's origin story, as you've never seen it before.Collects Batman #25-27, 29-33.Book Batman (2011-2016) Vol. 5: Zero Year – Dark City (Batman Graphic Novel) Review :
Batman Vol. 5 Zero Year-Dark City collects two of the final story arcs for Zero Year; Dark City (issues 25-27) and Savage City (#29-33). This is the conclusion of the three-part story arc major crossover origin event known as Zero Year. Dark City picks up after the events in the first story arc of Zero Year, Secret City, after Batman has stopped the Red Hood Gang and the Riddler shuts off all the power in Gotham City. We see the reintroduction of the classic GCPD blimps from Batman the Animated Series, which is awesome to see, as they comb the city searching for any sign of Batman. But, Batman has a new case on his hands involving a killer who uses a serum that causes uncontrolled bone growth. Batman discovers the villain, known as Dr. Death (who was Batman’s first major supervillain he fought in DC Comics, the Joker was the first villain Batman faced in his own comic book series) and both Death and the Riddler team up to seize control of Gotham during superstorm Rene which threatens to cause even more problems for the powerless and crippled Gotham City. In Dark City, more is explained about Bruce’s opinions of Lt. Gordon and why he doesn’t trust the police lieutenant. We also see more backstory involving Bruce as a child and his parents leading up to the fateful night in Crime Alley. Dr. Pamela Isley also has a cameo appearance in this arc but her research will later impact the look of Gotham in the next story arc. Savage City takes place several days after the events in Dark City. It is now, Zero Year: the new calendar year according to Edward Nygma. Using Isley’s research Riddler has turned Gotham into an overgrown barren wasteland and his demands for Gotham is quite simple: get smart, or die. Every sunset, the Riddler on a giant screen in Gotham and challenges any brave citizen to ask a riddle that he can’t solve. No one has been successful. Bruce can’t retrieve any of his suits or gadgets from the cave so he must improvise and create a torn and tattered costume and tools to help him mount a counterattack against the Riddler. Batman enlists the help of trustworthy allies who are trying to fight against the Riddler, specifically Lucius Fox and Lt. Gordon. The team is also joined by a special covert military assault force as well. But time becomes the enemy as jets threaten to bomb Gotham, doing exactly what the Riddler intended and sending Gotham crashing down all around. Batman and his team must work together to stop the Riddler and survive Zero Year. Scott Snyder’s writing is still great. The characterization of these characters is both refreshing and still honors the source material, which Snyder is very good at doing. The interaction between Bruce and Alfred is very special and very well written. Bruce’s relationship with Gordon changes drastically in these final arcs and it makes sense why Bruce finally throws off his uncertainty about Gordon and accepts him as an ally going forward. The story appeared to take a lot of inspiration from The Dark Knight Rises and the video game The Last of US (both can be seen in the Savage City story arc). The inclusion of Dr. Death as one of Batman’s first villains, just like in the original comics, was amazing. Snyder really got to show off his horror writing here with gorgeous yet very visceral character design for Dr. Death by Greg Capullo. Speaking of Greg Capullo, he hasn’t lost his touch at all. Gotham is very vibrant and well defined as well as people are all distinctively drawn. Capullo always brings his unique style to many of these characters which I enjoy, it definitely sets his work apart from other artists. We see many new vehicles a Bat-blimp, a proto-Batmobile race car, and the Bat-boat. All of them are beautiful to look at and are drawn with great detail. Danny Miki and FCO Plascencia make Capullo’s art look absolutely gorgeous and very vibrant and colorful as well. Batman Vol. 5 is a great ending to the masterpiece of an origin story retelling. To me, this will be my favorite Batman origin story, not because it’s new and I very much enjoy Snyder and Capullo’s run on the character, but because, like Year One when it was written, Zero Year speaks to us in the 21st Century. Zero Year addresses our anxieties our struggles and places Batman’s emergence in the midst of all of those things to show us how truly great a hero he is. This TPB contains the conclusion to the Zero Year story arc started in Volume 4. Whereas the last volume felt tired and plagued with obligatory plot points about the beginnings of Batman, this felt all new, fresh and exciting. The first half of the volume focuses on Batman's clash with Doctor Death, a character with pre-New 52 history that gets a Snyder makeover and in this version, is a grotesque, superhuman experiment gone wrong. While Doctor Death is intriguing visually, there's unfortunately not a lot of depth to his character or purpose, though Snyder tries hard to build in the character's family history and give him dialogue to spew about his medical research career spiraling into super villainy. It kind of works, but is paper thin if you ever pause (and take a breath from all the over the top action, explosions, and blood) to think about it. Doctor Death looks cool/gross, is frightening, but is ultimately a lower tier distraction put in place by the Riddler to set up the ultimate arc. So the first half of the volume is visually interesting and passably entertaining, but otherwise not that meaningful to Batman's canon or really the greater New 52 run.The second half of the volume, though, is the core of the Zero Year story and was shown in the very beginnings of Volume 4. The Riddler has shutdown the power in Gotham and has held the city hostage in a No Man's Land-esque scenario for months on end. He holds all the figurative and literal power, and forces Gothamites to challenge him with the promise that he might relent. There are some twists and turns and complications to defeating the Riddler, but under the artifice of the setup, this is simply a straightforward Ridder versus Batman faceoff to see who is the smarter man. In that sense, it's predictable, but at the same time, it's so well done (riddles included) that in my mind it is one of the quintessential Riddler stories now. Strangely--and this is just the feeling I get when re-reading it--the final arc of the Riddler story could almost have been a very self-contained and intriguing story all on its own that could have taken place any time in Batman's career. It didn't necessarily need the Red Hood Gang or Doctor Death to build it up (and is barely related really), and whereas the first couple of Zero Year arcs were about Batman firsts (Batman's first costume, his first criminal rival, his first super-powered villain), this final Riddler story really wasn't about Batman finding his footing and could easily have been about Batman in his prime. I don't count that against it, I only wonder now, looking back, if the Red Hood and Doctor Death stories could have been stronger if they weren't built in as leadups to the Riddler's arc. But again, I don't rate the volume lower for this reason, just something to consider for readers going through both volumes of the Zero Year story. 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